Wednesday, November 21, 2012

Terms of the Day and Images from Lecture November 14

  • AfriCOBRA – (African Commune of Bad Relevant Artists) a collective of AfricanAmerican artists in Chicago that specifically took on the goal of creating a new revolutionary black aesthetic. 
  • Exploitation Film –  an informal label which may be applied to any film which is generally considered to be both low budget and of low moral or artistic merit, and therefore apparently attempting to gain financial success by "exploiting" a current trend or a niche genre or a base desire for lurid subject matter.
  • Blaxploitation Film –  a film genre which emerged in the United States in the 1970s aimed at an urban black audience.  These films were often low-budget, had majority African American casts, and used funk music and urban slang of the time.  They were often criticized for perpetuating stereotypes.




The Passion of Muhammad Ali (cover of Esquire)
Carl Fisher & George Lois
1968

Aunt Jemima and the Pillsbury Doughboy
Jeff Donaldson
1963

Revolutionary Suit
Jae Jarrell
1970



Blaxploitation 

Superfly
George Parks, Jr.
1972


Foxy Brown
Jack Hill
1974


Scream Blacula Scream
Bob Kelljan
1973


Flag for the Moon: Die Nigger
Faith Ringgold
1969

 Injustice Case
David Hammons
1970

 How Ya Like Me Now?
David Hammons
1988

 The Liberation of Aunt Jemima
Betye Saar
1972

 Black Girl’s Window
Betye Saar
1969

Homage to My Young Black Sisters
Elizabeth Catlett
1968

 I Like Olympia in Black Face
Larry Rivers
1970

Family Jules: NNN (No Naked Niggahs)
Barkley L. Hendricks
1974 

Brilliantly Endowed (Self-Portrait)
Barkley L. Hendricks
1977


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